Writing Room Ideas: The Story Behind a Vision Board

At the moment, my writing space is chaotic. It's situated in a Florida room that feels very Florida: one wall is a bank of French doors and paned windows that gather all of the morning, afternoon and early evening heat. The space is tiled and has a (single) A/C vent that tries its very hardest to keep it cool (but doesn't). If it was a body, its outstretched arms would be the kitchen and garage. 

It looks like a before picture, and it's looked that way all throughout the pandemic. Truth be told, even with Zoom pressure, it looks more like a before than ever.

I can make it look "nicer" on Zoom with a panicked juggler's shift of its contents: wheeling a clumsy Amazon Basics white board over a bit to the north to hide a nuclear explosion of LEGOs; a pre-meeting toss of my child's life-size sea turtle floor pillow into a southwesterly off-camera corner; a forearm sweep of Sonic the Hedgehog and Pokémon ephemera off a table into a Trader Joe's bag and quick swap with the family cat's planter of wheatgrass that (when fresh and not shriveled and dying) can sort of pass for decorative, from a webcam distance. 

It's a room in transition, and it never got properly Zoomified during the pandemic--no home décor glam squad--because, well, it had too much work to do, it's on an austerity budget, and it had just two weeks' warning before being thrown into action as a makeshift college classroom, second-grade classroom, playroom, and dissertation-writing space (supposedly). 

It did get a pair of curtains hung as a makeshift Zoom privacy door between itself and the kitchen. But it never really got a break. 

(Did any of us?)

My dream is a single-purpose room. 

Maybe a hut, disconnected from the body of the house, with A/C, running water. A single bed. Just to lie down. Do a little reading. 

Add a lap pool within four or five steps and it's a total fantasy.


I stayed in this Key West house as a child--just once, a long time ago, in that little white shed-looking outbuilding under the tree--and it was magical. Ever since, this house has been my platonic ideal of a writer's house, and writer's hut.

A rush of dream adages, however trite, come to mind: One can dream, dreams are the stuff life is made of, hold fast to dreams

Maybe this Japanese proverb is more apropos: 

Vision without action is a daydream. Action without vision is a nightmare.  

Sitting in my hot and humble multipurpose Florida room, I swivel in my desk chair. 

There, languishing in a jumble on the floor is a lonely toy piano, a ukulele, a chest covered in peeling Super Mario stickers, and a seagrass basket sagging with a rubber T-rex, an octopus bath toy, a blue plastic baseball bat, a nylon butterfly net, a plush hobby horse that never gets ridden, a Pikachu mask. Behind that, a semi-abandoned doll house, Doctor Eggman inexplicably languishing in its dusty rooftop pool. 

I swivel back to my desktop screen. 


Ah, single-purpose writer's rooms! For a single purpose

Huts, attic rooms, side rooms, basement rooms. Whatever you care to call them. Rooms with wooden doors, doors that fully close without the help of industrial binder clips. 

Rooms stuffed with books, with singleminded chaos. Hard copies of manuscripts, an open thesaurus. A cup of coffee and a stereo. An uncased CD. Piles of research. 

Then again, Emily Dickinson had her tiny bedroom table:


And Jane Austen had her tiny bedroom table, too:



Those rickety little desks side tables worked out pretty well, right? 

In my former, pre-pandemic life, I got to marvel at those side tables up close. (I can verify that they're really, really small--even tinier, as much-celebrated things tend to be, in person.)

The work gets done where it will, when it needs to. 

I've written story drafts at the kitchen table, in the car with a sleeping baby. On trains and in planes. Sketches at the beach. Sentences and scrids of images on the backs of receipts, at the stoplight. 

So maybe a vision board is just a vision board. A writer's visual aspirations, while the real work gets done in the swelter of the Florida Zoom room. 

Vision without action is a daydream. Action without vision is a nightmare. 

I wonder what implicit space is there, then, between the daydream and the nightmare. Is it action? That real work itself? I'm not sure. I'm still trying to figure it all out. 

Where do you tend to write best? Can you write anywhere or do you have a single trusted spot? What surprising or unusual places have you gotten work done? 

Comments

  1. What an immersive post -- I feel like I just stepped on a lego right in your writing room! In all seriousness, a. screw anyone who says one's own home needs to be picturesque and minimalist (I greatly appreciated some of what Marie Kondo taught about tidying up, but some of her rules do NOT spark joy) -- life is messy, home is messy, but it's where we live and gather (and display our Pokemon ephemera).

    That said, I am obsessed with your Writing Room vision board. I can only hope to have such a cozy space to enjoy all to myself someday. I have aspirations of living like a writer, but I can't quite motivate myself to WRITE. Like you said as you reflected on Dickinson and Austen's side tables, I suppose you can write anywhere...but wouldn't it be so much better to have a dedicated space?

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    1. Hi Ello! Thank you so much for your comments and kind words. I would love to have a dedicated space, yes (and do, officially--I just need to actually write in it in a dedicated way, or in the way Neil Gaiman talks describes, i.e., like a bricklayer laying bricks, one by one, in across a field).

      I LOVE what you say about Marie Kondo, and share your natural skepticism. (I did stack my t-shirts in the Kondo way/style about 5 years ago--and then those same t-shirts proceeded to organically unstack themselves.) Have you read about the mess studies? (Hint: The scientists would agree with you, too!) Check out this study: http://www.psychologicalscience.org/news/releases/tidy-desk-or-messy-desk-each-has-its-benefits.html#.WWJ_j9PyuWY

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  2. Oh my! So glad I don’t have Legos underfoot anymore, but if I roll my chair back it will roll over the dog’s tail when I don’t look first. I moved into a new home 2 weeks before the pandemic. My writing space was initially in the living room so that I could watch the hummingbirds at the feeders outside the window, then the Zoom meetings began, and I needed to adapt my office space for lighting. I moved to the dining room. Keep in mind that I still had boxes that remained unopened that I would just move around. The dining room didn’t work, so I moved to the back spare bedroom where I could control the lighting and it was quieter, no bird distractions. Then my son was going to visit, so I moved out of that room, which had the bed up against the wall, and moved into another spare bedroom that only had boxes. A year later, I am still in the small spare bedroom with my day job on one side, my teaching gig on the other side, and my personal office space (now school space) in the middle. I just roll from one office to the other, no travel time in between. One of the best places I have ever written was the top floor of a hotel in Atlanta where I moved the furniture around so that I could look out over the city while I wrote.

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    Replies
    1. Dog tails, yes! They're a rolling-chair, office-space hazard. (Your dog-tail image kind of reminds me of the fireplace scene in Funny Farm--that 80s classic--with Yellow Dog.) I love your response--thank you for sharing your own experience with the literally mobile office space. And the Atlanta hotel room--talk about birds...this sounds like the bird's eye view--and really a wonderful place to write. I love hotel rooms, and I don't know why it is that I always seem to fill more pages on planes, trains, and cars--I think there's something to be said for the connection between creativity/productivity and a perspective shift.

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